Dr. Felicity Constance Mazur-Park is an English composer, pianist, and organist based in Texas. Her creative and scholarly work engages historical traditions, contemporary practice, and advocacy through music, with particular interests in expanding established repertoire and bringing overlooked musical voices into dialogue with newly created work. She has served in music ministry for over a decade and is currently Music Minister and Organist at The Episcopal Church of the Annunciation in Lewisville, Texas.
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A prolific composer, Dr. Mazur-Park has created approximately 105 works encompassing opera, incidental music, musical theatre, orchestral and wind ensemble music, concerti, choral and chamber music, electronic music, ballet, and solo repertoire. Her music has been performed by Les flûtistes de Montréal, Juventas New Music Ensemble, the Oklahoma City University Faculty Quintet, Xanthos, The Boston Conservatory Orchestra, Ludovico Ensemble, Texas Christian University Symphonic Band, Texas New Music Ensemble, Transient Canvas, Brave New Works, The Estrella Consort, and Q365 Saxophone Quartet.
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Recent creative projects reflect an increasing intersection between her work as a composer, performer, organist, and conductor. In 2026, her solo piano work The Bacchae, Op. 90, commissioned by San Francisco State University, received a professional recording release on Zang Records, concert performance, and publication. She also served as music director and orchestral conductor for two days of professional recording sessions at Luminous Sound in Dallas and released Composer at the Console, an album featuring her original organ compositions alongside performances of organ repertoire. Her Neo-Pavane and Galliard, commissioned for composer Carson Cooman’s Pavane and Galliard Project, was premiered at Oklahoma City University in March 2026 and later performed again in a Dallas American Guild of Organists program at Custer Road United Methodist Church in April 2026 as part of their 20th Anniversary Organ Celebration.
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Dr. Mazur-Park’s work in organ music increasingly combines composition, performance, scholarship, and advocacy. In February 2026, she served as curator, featured composer, presenter, and performer for the Dallas AGO’s Spotlight on Women Composers. Her chorale fantasia on “Jesu, du mein liebstes Leben” was published by Merula Music in the United Kingdom, and in 2024 she received the American Guild of Organists Student Commissioning Project Award in collaboration with organist David Preston for Ti Appartengo. Her compositions have also received recognition through American Guild of Organists competitions, where adjudicators have praised the breadth of her musical ideas and the way she brings them together.
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Her Doctor of Musical Arts composition dissertation, Feminist Advocacy Through the Liturgy: A Liturgical Organ Concerto, is a large-scale work for organ and strings based on the text of the Ordinary of the Mass and inspired by pioneering women composers throughout history. The work was premiered at Texas Christian University in April 2025. Her current doctoral research at the University of Texas at Dallas extends these interests through A Feminist Retelling of William Shakespeare’s Antony and Cleopatra Through Music and Essay, which combines composition, performance, Shakespeare, and feminist criticism.
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Dr. Mazur-Park regularly presents and performs her creative and scholarly work nationally and internationally. Her work has been featured at the College Music Society National Conference, National Association of Composers USA National Conference, Music by Women Festival, Alba Music Festival in Italy, GAMuT Graduate Studies Conference, RAW Conference at the University of Texas at Dallas, and Taylor Swift: The Conference Era at Indiana University. Her scholarly research on women composers and musical analysis received the Sherry Clarkson Prize for Best Scholarly Paper at the University of Texas at Dallas in 2023.​ Alongside her creative and performance work, Dr. Mazur-Park is an experienced educator whose teaching connects composition, music theory, performance, and individual artistic development. Academic references have highlighted her structured and insightful approach to teaching and her commitment to helping students develop distinctive creative voices.
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Dr. Mazur-Park holds a Bachelor of Music degree from The Boston Conservatory, a Master of Education degree from Tennessee State University, and Master of Music and Doctor of Musical Arts degrees from Texas Christian University and is graduating with a PhD in Visual and Performing Arts from The University of Texas at Dallas in December. She has studied composition with Andrew M. Wilson, Jan Swafford, Dalit Warshaw, Andy Vores, Marti Epstein, Olga Harris, Robert Xavier Rodríguez, Martin Blessinger, and Blaise Ferrandino, and organ with H. Joseph Butler.
